Anxieties of development: emerging voices in Chinese social media

 

MICday
Development blogging becomes a new genre in Chinese social media. Image: Web banner of the 2017 “Made in China Day” celebration organized by the Communist Youth League featuring several development bloggers

In August 2018, an online post by “Shenzhen Ningnanshan” (深圳宁南山, hereafter “SN”) piqued the interest of Global Times chief editor Hu Xijin, who pointed his followers to the lengthy list of complaints about high property prices and education costs that, according to SN, threaten to sap the morale of an “urban middle class that has fundamental faith in China’s developmental trajectory”. Hu, who often presents himself as an interlocutor between the regime and the public, acknowledged the complaints’ “authenticity” and “sincerity”. In a published response, Hu reminded government officials to read SN’s article carefully, as it represents “the real worries of the People’s Republic’s hardworking constructors.” These people should be heard and shown the country’s future directions.

The exchange underscores the weight assigned to urban middle class voices by a political elite keen to monitor a constituency consequential to national progress and stability. But SN is no ordinary disgruntled working man. At the beginning of his post, he wrote that his articles were often read by “people up there”, meaning Party leaders and officials, and he hoped that this one reached them too. SN’s extraordinary influence in social media is part of a bigger story of development blogging’s ascend in Chinese cyberspace. It has become a genre, fueled by the economic slowdown and heightened trade tensions with the United States. Microbloggers such as SN dedicate their social media space to big questions like China’s place in the world and if it can overcome the middle-income trap. And they find a growing audience, including “people up there”, tuned in to listen to their diagnoses of China’s ills and prescriptions for cures.

The escalation of the US-China trade tension in early 2018 became a rallying cry for these online voices, who collectively shaped how the Chinese public perceived the clash between the two countries. SN’s Mar 24 post “Trade War: an interlude in China’s rise to surpass the US” was one widely read online analysis of what the trade war was really about. It distinguished itself from two kinds of “extreme voices”. On the left, Maoists were calling for China to go back to autarky, a state of non-trading economic self-sufficiency, while on the right, people were advocating for deep concessions that would surrender much of China’s industrial and technological agenda. SN’s views were essentially realistic nationalist, conceding that China was not ready to take on the US at this very moment but firmly believing in the inevitability of national rejuvenation through the conquering of technological commanding heights in multiple key industries.

The history of “online statecraft” by Chinese netizens dates to the dawn of China’s Internet age, as early users of chatrooms and BBS forums heatedly debated China’s geopolitical strategies and military posture. The perceived futility of such online discussions in a country with very limited political participation has been a subject of ridicule, as manifested in a popular online joke about a “basement-dwelling patriotic youth“, who preoccupies himself with questions of national security but can’t even guarantee his own personal safety against the intrusions of the state.

Different from the brand of juvenile statecraft that resembles an online projection of masculinity, the emerging development bloggers build their profiles to exude maturity and credibility. SN’s Zhihu page (Chinese equivalent of Quora) describes himself as a “middle class person moving bricks in Shenzhen” (“moving bricks” is a humorous online reference to making money). His Weibo account carries a tag line that says “re-recognizing our own country.” Although his true identity remains unknown, many believe that he works with supply chains in Shenzhen, giving him first-hand insights about the frontier of Chinese technological advancements. A Zhihu user tried to paint an imagined profile of him: “around 40 years old, grew up in a modest family, graduated from a top Chinese university, works at a major manufacturing company and earns 1 million RMB a year.” Some of SN’s peer bloggers are more upfront about their real-life identity. A group of Weibo accounts which frequently interact with and promote SN’s posts, self-identify as the Society of Wind and Cloud (风云学会), which is supposed to be associated with the University of Science and Technology of China (USTC). One of the key voices from the group, Chen Jing (陈经), is research director at Asia Vision, a company specialized in Optical Character Recognition (OCR). Beijing Saidong (北京塞冬, hereafter as Saidong), another popular development blogger who has friendly interactions with SN both online and offline, is a Peking University-educated computer scientist who works in the Internet sector.

Their technology/industry background gives them credibility when they write on issues related to China’s growing industrial might or its competition with other countries in developing next generation semi-conductors, even though their topic areas go way beyond their professional domains. Chen Jing, for example, writes extensively on microeconomics, trade, and… football. In 2016 he even published a book called “China’s government-organized economy” that claimed to have discovered the secret of China’s economic miracle: an economic model that is neither market nor planned, but run by multiple levels of the government using market-based approaches. The idea is not entirely new but it shows the appetite of typical development bloggers, who enjoy throwing out grand theories about China’s rise. They sometimes refer to themselves as the “industrial party”(工业党), people who firmly believe in a country’s industrial might as its passport to success.

The “industrial party” bloggers share a lexicon of terms such as “per capita GDP”, “demographics”, “supply chains” and “national fortune”, which reflects a tendency to think in aggregates and a competitive arena-shaped world view. Their interest in (obsession with) nations, their rise and fall, prosperity and poverty, fill their Weibo/WeChat pages with lengthy, data-heavy accounts of national competition and dominance. Popular posts written by SN in the past year include titles like “The competitiveness of China’s low-end industries“, “China’s development and the East Asian hell model“, and more bluntly, “Challenging white superiority: the competition a thousand miles away“. Collectively they depict a picture of a merciless ladder called “development” on which nations laboriously climb. At the top of the ladder sit countries with the highest per capita GDP, enjoying comfortable privileges, while other lower income countries fight to occupy favorable positions underneath. “Overall, the white world, Europe+North America+Australia/New Zealand+Israel, still makes up the top echelon of nations,” writes SN in a post responding to an IMF data release, “when per capita GDP goes above 40,000USD, only very few non-white nations can enter that area… Japan and a few ethnic Chinese economies, Hong Kong, Macau and Singapore managed to achieve that. We should have confidence in ourselves.”

Saidonggraph
Development bloggers fill their online posts with graphs like this.

The racial message is even more explicit in his wildly popular post on how China could break from the East Asian model. A sense of injustice oozes from the text when he observed how, in the past two decades, the 20 or so countries that surpassed Japan in per capita GDP were mainly European. “The life of Europeans is really laid back, while East Asians, whose intelligence and hardwork are universally recognized, have to endure intensive, hellish work hours.” He continued, “there must be a problem when a lazy people’s economic performance goes beyond a hardworking people’s.”

The problem, as SN saw it, was an “invisible hand that pinned East Asian economies on a few narrow and fiercely competitive industrial tracks”. Most of them lack vast agricultural lands or natural resources that support lucrative businesses such as agrochemicals or energy extraction, sectors dominated by Americans and Europeans. More importantly, he asserted that military shackles placed by the United States on East Asian states, particularly Japan and South Korea, suppressed their technological potential, as military-to-civilian transfer is a major pathway of technological innovation. He also maintained that Western capital had been extracting disproportionally high returns from investments in premium East Asian companies such as Samsung, exploiting their “capital superiority.” Those restrictions and suppressions limited East Asian states to a small number of industries such as semiconductors, forcing people in those countries to compete fiercely for a finite number of middle-class jobs generated by those sectors. China, free from the above constraints, could be the only East Asian nation with the potential to redefine an East Asian developed economy, he declared.

If this sounds alarmingly like a (milder) version of Japan’s complaint about a suffocating “Anglo-Saxon encirclement” prior to World War II, fellow bloggers only reinforce the impression by repeatedly invoking the imagery of shrinking “development space” for China. Only in this case, the “space” is not so much the physical territory that pre-war Japan was paranoid about, but rather the remaining seat at the table of developed economies in a game of musical chairs. The sheer size of China’s population makes some wonder how the current global order can accommodate another billion people to join the high-income club. “It took a world-class conglomerate like Samsung to pull 50 million of South Koreans into developed status. China has a population 28 times larger. How could the world absorb another 28 Samsungs?” wrote Weibo user Qingpuluo the day after Trump declared a trade war on China, using very rough mathematics. He believed that China would not reach developed status within the existing global framework by simply “trading with developed economies.” It needs new space.

This is also a theme that SN often explores, although his views are colored by a more ideological tinge. Again using back-of-the-envelope calculations, he asserted in one of his posts that 1.4 billion newcomers to the industrialized club would “completely change the face of “developed economies”, which currently cover just 800-900 million people. Racially speaking, Asians would replace Caucasians as the majority. Politically speaking, the West’s control over the world would be much diminished as China becomes the first developed Asian power that’s not subject to Western military control. Culturally speaking, the “cultural composition” of what it means to be “developed economies” would fundamentally change with China’s entry. He insisted that the white-majority developed world wouldn’t tolerate such tectonic shifts and would be prepared to stave off China’s rise.

In keeping with the industrial party’s manufacture-centric world view, some bloggers looked at the issue through a “global value chain” framework. Citing a recent report in Japanese media, Machinery & Engineering Strategy (机工战略), an industry voice represented on Chinese social media, observed how US companies took in as much as 40% of total global corporate profits (of 18,000 publicly listed companies from 100 countries).  Another blogger distilled the phenomenon into a globalization pyramid made up of 3 camps of countries: at the top are technology and capital providers, in the middle are labor providers and at the bottom are natural resource providers. China’s struggle to move from camp 2 to camp 1 and grab a bigger share from the highest tier of the value chain is considered a major uphill battle that the country has to fight. Saidong has found a real-life illustration of the battle in the global value chain of electronics, where China has evolved from an assembler to a major parts supplier and brand owner, chipping away, bit by bit, the economic cake from Apple, Samsung, and Japanese/Taiwanese manufacturers. “The extensive electronics value chain creates high-end R&D jobs, mid-level trade and logistics opportunities and low-end assembly line employments that can accommodate a huge and diverse workforce,” he argued, “it’s a godsent for any developing economy.”

The idea of “development space” shapes the thinking of development bloggers when they consider major strategic topics such as the Belt and Road Initiative (BRI). To be clear, unlike the way it is scrutinized and debated in the West and in recipient countries, the BRI is barely an issue on Chinese social media, likely due to its lack of connection with the day-to-day experience of ordinary Chinese netizens. One notable exception is the “industrial party”. Deeply concerned about China’s future position in the world, these bloggers quite often engage in intellectual exercises about China’s adventures overseas and what they mean for the country.

In a recent long post for the Society of Wind and Cloud, Saidong did an extensive analysis of Africa’s future demographic changes and their implications for China. With multiple graphs, he highlighted the pyramid-shaped population structure of today’s Africa and marveled at how it resembled that of India 40 years ago. Based on a few bold assumptions, he calculated in a quick-and-dirty fashion, that Africa’s total population would reach 2.5 billion in 30 years while its GDP per capita would enter the 3000-4000 USD terrain. “We will witness the emergence of an Africa that’s 2.5-4 times the economic size of today’s India”, he predicted. By then, the continent would have produced a group of mega-population countries. Nigeria, Ethiopia and Egypt would all boast populations over 200 million. As he saw it, in 2050, these countries would still be relatively poor and not fully industrialized. Yet their vast internal markets would make ideal destinations for Chinese industrial products, infrastructure construction capacities (and overcapacities), and Internet services. “Africa, with its size and potential, represents a new market that a late comer like China can more easily access,” Saidong argued, apparently alluding to the resistance China may face when it enters existing markets with established players. At the end of the article he reminded his readers that in the 21st century, China’s “national fortune” would be decided by how it approaches the “6 billion people in African and Asian developing countries.”

When they apply such a world view inward to scrutinize China’s domestic developments, the development bloggers constitute a formidable force on the Chinese Internet, challenging some of the Communist Party’s most important policy agendas. Just as they are sensitive to demographic changes in other developing countries, they are keenly aware of China’s rapidly aging population and are some of the most vocal online critics of family planning policies. The perception of growing populations as a source of national strength and growth potential shapes their attitude toward the one-child policy. In a widely circulated Weibo post, SN took on China’s population control and real estate market at once. “Years of propaganda in our country treat population purely as a burden,” he wrote, “but a large and growing population can actually bring lots of benefits.” These benefits, in his mind, include a great number of entrepreneurial opportunities and the job creation ensued, cheap labor and service that propel new business models, and higher returns from property booms kept afloat by the continued urbanization process. Because of the depth of China’s domestic market, it has the guts to confront the United States without the fear of “economic collapses experienced by Turkey or Iran”.

In the same vein, development bloggers are perpetually worried about China slipping into the same  demographic predicament of its neighbors, Japan and South Korea. The abject lives of Japanese retirees and the country’s looming pension crisis are constant reminders of what China’s own fate may look like down the road.  At the beginning of 2018, confronted by China’s newly released birth statistics of 2017, Saidong warned that in 5-10 years China’s demographic atrophy would be as severe as, if not direr than Japan’s, thanks to 30 years of arbitrary acceleration of a natural process of lowering birth rates and other driving forces of an aging society.

In addition to their intellectual propensities on the population question, their own status as members of an upper-middle class rooted in China’s booming high-tech sectors seems to have made them advocates for certain middle-class-centric policies, all of them centered around child-rearing. The underlying message appears to be that, since high-tech manufacturing is the pillar of China’s next industrial revolution, people employed by such sectors need to be well taken care of by the state for them to concentrate on their excellent work. For instance, reforms in China’s pre-school system and primary education in recent years that tilt heavily towards burden-shedding for kids meet with heavy criticism from this group. Letting children off school at 3pm instead of 5 or 6 creates extra work for parents who need to find ways to fill those hours for which schools no longer bear responsibility. It also creates a massive extra-curricular education market that exploits parents who fear that their kids are not being given sufficient tutoring to prepare them for fierce future higher education competitions. The group also considers rising property prices in Chinese cities a major sore point for this social class and a drag on demographic improvements. Not only is living space being squeezed due to ever higher real estate prices, making it difficult to raise more kids under one roof, but also marriage and child bearing ages are being pushed back as young people have to work longer before accumulating enough capital to form families, if they do so at all.

Complaints like these, and the resonance they generate, tend to produce response from the likes of Global Times’ Hu Xijin. But as Hu himself reminded SN in his piece, the distribution of wealth in today’s Chinese society had made readjustments around issues like property price particularly challenging. While a city’s new comers may look for cheaper paths to property ownership, the city’s propertied class may, in contrast, hope for even higher real estate values for themselves. Measures favoring one side of the equation may stir discontent in the other.

Hu’s response highlighted the social class signature of SN’s brand of development blogging on which its critics often focus. Some of the more visible detractors claimed that, constrained by the narrow interest of their social class, policy prescriptions offered by SN and his peers are biased and could harm the nation as a whole. Maqianzu, a blogger associated with the left-leaning Guancha.cn, has argued that measures to lighten the burden on urban middle class, as SN advocates, would undermine overall social mobility. High property prices in big cities, as he sees it, are a way to continue funding infrastructure expansions in underdeveloped parts of the country and they will provide upward movement channels for the poor. He also has dismissed SN’s complaint about overburdened middle class parents, claiming that ultra-competitiveness in basic education is a result of more qualified students entering the system, another sign of positive, upward mobility in the society. “China has no hope if its middle class is allowed to have a laidback lifestyle,” he wrote provocatively. Instead, the country’s long-term prosperity depends on an over-worked mortgage-bearing middle class that’s constantly kept on their toes. For Maqianzu, the idea that the offspring of today’s middle-class are entitled to effortlessly inherit the social status of their parents is borderline reactionary.

More scathing criticism condemns SN’s writing as nothing more than a kind of “development porn”, using selective, misleading materials to depict an overly rosy picture of China’s economic prospects and industrial prowess, stirring up cheap nationalistic sentiments as its online predecessor, “military porn” often did.

Even if it is just another type of intellectual opium that the Chinese Internet routinely produces, if “people up there” are really paying attention to what the SNs are blogging about these days, they may find it reassuring that a not so small segment on social media is fully supportive of the leadership’s push to bring Chinese manufacturing to the next level against a strong trade headwind. They may be alerted by the intensity of frustration this group of people feel about the Party’s track record in managing the country’s population, education and property market. They may also be encouraged to find a reliable cyberspace ally more powerful in many ways than the official propaganda machinery in its ability to coalesce the hardworking middle class around an assertive agenda of Made in China 2025, Belt & Road Initiative and geopolitical adventures that reclaim China’s development space in the world.

Soft Power, Hard Sell

Wolf Warrior

This summer, the Chinese cinema was not short of home-made explosives. Military-themed Chinese movies marked the PLA’s 90th birthday, and thanks to the Domestic Film Protection Month, no Hollywood blockbusters or other foreign movies diverted the attention of Chinese moviegoers.

One such film, The Founding of an Army, was supposed to be the feature of the month. It is based on Party legend about the Aug 1, 1927 military uprising in Nanchang, Jiangxi province that gave birth to the Communist Party’s force which later became the People’s Liberation Army. The movie joined The Founding of a Republic (2009) and The Founding of a Party (2011) as the final piece in the Founding Trilogy dedicated to the Communist Party’s struggle to establish New China in the first half of the 20th century. Apart from its ideological purity, the movie boasts an all-star cast that includes some of the most popular names with the country’s millennials, a sign of the filmmakers’ intention to win the eyes and ears, if not already the hearts and minds, of a younger generation. In today’s China, the second largest film market in the world, the Party’s blessing alone is not sufficient guarantee of box office dominance. The majority of viewers need to be lured, rather than forced, to see a movie. In this regard, ideological purity could be a liability

The film’s embarrassing marketing blunders underscore this challenge. At one point, online promotional materials included posters that branded the Communist military heroes as Chinese Avengers, and claimed that the movie was as good as the best gangster films in Hong Kong (the director, Liu Weiqiang, happens to be famous for gangster movies). This drew wide ridicule from netizens. The film’s casting of young idols to play Communist leaders such as Ju Qiubai and Ye Ting, an apparent attempt to tap into the enormous fandom they command, also met with harsh criticism from descendants of the Founding heroes. One of them, film director Ye Daying, the grandson of Ye Ting, attacked the actor who played his grandfather as “a sissy who can’t even stand straight”.

While The Founding of an Army had to tread a precariously narrow line between the need to appeal to star-chasing millennials and to honor political orthodoxy, another movie, stripped from any obligation to historical accuracy, found a potent formula to launch itself into the stratosphere of Chinese blockbusters. Its jaw-dropping box office performance encouraged those who have long sought to shore up China’s cultural “soft power”, and alarmed critics who were sickened by its belligerent message.

Wolf Warrior II, the second installment of a commando-saves-all action movie series created and directed by Chinese Kung Fu star Wu Jing, grossed more than RMB 5 billion in box office revenue four weeks into its debut in late July (it stood at 7.3 billion by early September), becoming the highest earning Chinese movie of all time. Set in a fictional African country torn apart by a bloody civil war and a deadly contagious disease, the movie hero is retired Chinese special force soldier Leng Feng, who single-handedly crushes cold-blooded rebel forces and their even more ruthless mercenaries (who are Caucasians), and leads a band of stranded Chinese workers facing slaughter to safety.

The plot is not new. Moviegoers are well exposed to the kinds of stories that feature super soldiers neutralizing entire armies to accomplish noble goals. Many have compared the film to Hollywood action films such as First Blood and even Captain America. Some attribute its box office success to a level of professional execution that approaches Hollywood blockbusters, still a relatively rare quality in Chinese productions despite ballooning budgets in recent years. The 160 second underwater longshot at the beginning of the movie was applauded by online commentators as a cinematographic feat. Some industry insiders even celebrated it as a sign of the maturation of “mainstream value movies” as a genre. Traditionally, such movies reek of Party propaganda and yield poor box office results. This time, rather than seeing such tricks as a lack of artistic ambition, which is often with the view of propaganda or genre films, commentators were  upbeat about a Chinese movie being able to pull off the showy shots that characterize mature Hollywood productions. “Mainstream value movies make up a major genre in most mature film markets. Any genre has its raison d’etre. You don’t dismiss an entire genre, which invariably contains outstanding and mediocre productions,” says one defender of the movie on Weibo.” As reference, he lists American Sniper, Air Force One and Saving Private Ryan, among others, as standard bearers of so-called mainstream value movies. “American national flags are ubiquitous in such blockbusters.”

In a way the sentiment reflects the harsh reality of the Chinese movie theatre, which is filled with exploitative B movies pretending to be high-budget blockbusters (伪大片). Even the above critics rate Wolf Warrior as a 7 out of 10, a nonetheless decent score given the low average standard. the score is considered particularly hard won for a film that tries to promote a patriotic message, which, as the Founding of an Army shows, isn’t an easy sell for the majority of cinema goers who seek an escapist experience free of clumsy political indoctrination.

One aspect of the Wolf Warrior franchise’s commercial success that’s easily overlooked is its connection with a thriving online military subculture. The movie’s chief screenwriter Fenwuyaorao is one of the most popular authors on qidian.com, a portal for online pop fiction that has generated a sophisticated web of genres and sub-genres. Wolf Warrior has its roots in Bullet Holes (2006), an online novel that tells the story of a young man growing from an army rookie into a super commando. As a genre, such works are often valued for the authenticity in their description of weaponry and battlefield tactics, a major attraction for a predominantly male readership. The author’s ID on qidian.com invokes a sense of awe among his followers, for his grasp of military knowledge. For some of these fans, the author’s name alone is sufficient reason for purchasing a ticket. A manager at Yuewen Group, which owns Qidian.com, proudly declared on Weibo that their authors were among the savviest in terms of “reading” the commercial entertainment market, which is likely true given their close interactions with their reader community compared to more conventional authors of fictional works. As soon as Wolf Warrior II was released, military fans on social media circulated video clips detailing weapons featured in the film, which included Chinese-made submachine guns, tanks, destroyers and the Liaoning Aircraft Carrier. There were also lively discussions about the difference between Chinese and US special forces in terms of their underlying organizing principles, inspired by scenes in the movie.

Clearly the movie’s impact goes way beyond the subcultural community and resonates with a much larger audience. It’s that broader resonance that raises expectations, questions, and eyebrows. “Wu Jing did what the Great Wall failed to do,” declared the Beijing Daily, an ideologically rigid mouthpiece run by the Beijing Municipal Party Committee. (The Great Wall, a 2016 man vs. monster Chinese big budget movie that cast Hollywood stars such as Matt Damon, was an embarrassing box office fiasco both domestically and abroad.) Wolf Warrior II is praised for its “sophisticated commercial storytelling and heroism-centered core values.” The protagonist, an underdog character (he was dismissed from the special force for breaking the law) in search of his beloved girlfriend, is considered “sufficiently sympathetic” for viewers. The up and downs of his adventure follow a tightly woven, Hollywood style heroism narrative that appeals widely. Meanwhile, his embodiment of China’s commitment to peace and to protecting the safety of its citizens globally, advances the values of a rising superpower. All in all, the movie contributes to the “going global of Chinese culture,” said the Beijing Daily commentary. Discussions about the movie convey the idea that “Hollywood production”, once mastered, can be an effective vehicle for the spread of Chinese values, which harkens back to the notion of “Western learning as an application, Chinese learning as a foundation” (中学为体,西学为用) at the beginning of China’s modernization efforts 150 years ago.

The question is whether core Chinese values are really universally appealing, as suggested by the overtly optimistic Beijing Daily. The movie’s actual overseas earnings may tell a different story (it grossed just under 3 million USD in the US market, for example). In the movie, there are multiple scenes that deliberately highlight the exceptional status of the Chinese nationality, which can be off-putting from a non-Chinese point of view. One of the more memorable scenes is when a bus full of Chinese citizens, organized by the Chinese embassy in the fictional African country, cruises through the war-torn capital city late at night towards the port where Chinese naval battleships are waiting. In the darkness, people inside the bus, with tired, solemn faces, watch silently out of the window, where the streets are still burning, and broken dead bodies of African people lie everywhere. The intended contrast between the spaces in and outside the bus cannot be less subtle. Lucky you are Chinese, the message says loud and clear. As if this alone won’t drive the point home, in another scene, the heroine of the film, a Chinese-American doctor, gets frustrated with the US government, which, together with the United Nations, has pulled out of the African country leaving its people behind. Turns out only China stays to take care of its citizens. That theme gets blown up to almost bizarre proportions in a scene where the Chinese manager of a Chinese-owned factory insists on a Chinese-only policy before evacuation, to the outrage of African workers. That’s when Leng Feng, the hero of the movie, declares that everybody should go together, effectively pulling the plot back from the brink of moral disaster.

The message is repeatedly reinforced by the movie’s director and lead actor Wu Jing, who, in numerous appearances and interviews, emphasizes that there is nothing wrong with being patriotic. “The patriotic firewood in the chests of the Chinese audience has been fully dried. All I need to do is to light it up with a match,” he famously told a journalist. He also recounted his humiliating experience in the 1980s when he applied for a visa to visit a foreign country, an inspiration for him to show the cover of a Chinese passport at the end of the movie that says every Chinese should rest assured that your country will come to your protection whenever you are in danger overseas.

The strong message is hard to swallow even for those who otherwise like the movie. “The quality of the production has basically reached 21st century level, but the patriotic part seems to stay in the 1980s. No wonder some viewers feel awkward,” comments the CEO of Sina Weibo. The “Chinese exceptionalism” depicted in the movie, the idea that Chinese citizens somehow enjoy better protection overseas due to their nationality, also runs counter to the real experience of many who actually went through wars and conflicts in Africa. “The Embassy would ask if you held an official passport (for government employees and state-owned companies mainly) or a private one. If it’s the latter, which applies to 99% of Chinese overseas, then it would tell you that you are on your own,” writes a Weibo user who have spent four years in Africa.

Some critics go much further in their critique of what they see as the Wolf Warrior’s value system. “A burning piece of war declaration against the world”, as one unforgiving Weibo post labels it. It argues that the main message of the movie is bare and simple: I’m finally strong enough so I may beat you up if you piss me off. The author calls it a gangster mentality, a brand of justice that belongs to street corners (“Whoever pledge allegiance under my flag is protected by me”). He contrasts it with a more “universal” value embedded in the works of “mainstream art works”, including Saving Private Ryan and Assembly by Chinese director Feng Xiaogang, which uphold human dignity against the violence of war. Viewers are reminded of the suffering of armed conflicts and the preciousness of peace. Such movies should invoke compassion for fellow human beings, not “hot-blooded impulses to fight”.

Views like this are common among social media critics of the film, who consider its mindset too narrowly Chinese (us vs. anyone not us). To be fair to Wolf Warrior II, the movie does demonstrate an unusually “globalist” commitment to international affairs, although it is handled deliberately and a bit clumsily. There are multiple places in the movie where characters emphasize the importance of UN authorization before any Chinese military intervention, setting the stage for a one-man rescue mission detached from the Chinese authority. Apparently such little details easily get drowned in a sea of blood and violence.

Speaking of violence, the loudest and most scathing criticism of Wolf Warrior II centers on its display of brutality. The critique comes from a viral video produced by Cai Yinshanshan, a veteran movie critic online and lecturer at China’s Central Academy of Drama. Claiming that she otherwise would love to see Chinese patriotic films prosper as a category, Cai objects to Wu Jing’s “senseless” use of naked violence, which she regards as a reflection of the director’s “sadistic” inclinations. She is particularly uncomfortable with a multi-minute scene where Wu punches his already defeated mercenary rival to death in front of a group of captive women and children, seeing it as unnecessarily bloody. She also picks issue with the characterization of villains in the film, who seem to possess no purpose but to slaughter for sport. “Even villains need a value system to be plausible in the movie,” argues Cai, otherwise they become a mere excuse to show off killing as “spectacles” from which the audience generates no meaningful reflection.

If the Hollywood standard still applies, the violence on display in Wolf Warrior II, intensive as it is, is not exceptionally gruesome (Sin City watchers should know what I mean). But Cai’s larger point may be valid. To some extent, the whole movie can be seen as a convenient set-up to show off the might of a rising superpower: the African nation that embodies all the stereotypes of a chaotic, infernal continent; the rebels and mercenary soldiers who are evil to their core (and harbor racist hostility toward the Chinese people), plus the entire disappearance of the Americans and Europeans from the scene, all seemingly put together so that Leng Feng can ruthlessly land his vengeful fists on a white mercenary and the Chinese navy can resolutely launch its cruise missiles onto the rebels.

Unfortunately, by implying that a national hero like Wu Jing might be a blood-thirsty “psychopath”, Cai has crossed the line for some people. She soon tasted the wrath of Wolf Warrior II fans who harassed her through phone calls and pressured the Academy to dismiss her as a teacher. As in so many previous incidents, the first to experience the country’s patriotic muscle is not some gun-wielding rebel in remote Africa, but rather the rebels within China who dare to label patriots as gangsters.